Fabulous Lives of Bollywood Wives is an Indian television series and makes a sneak peek into the non-public and expert lives of Neelam Kothari, Maheep Kapoor, Bhavna Pandey, and Seema Khan, wives of Bollywood actors. The series was debuted on November 27, 2020, on Netflix and the trailer of the same was released on 13 November 2020. let’s talk about Fabulous Lives of Bollywood Wives Season 2.
The idea of making such a series is comparable to the series that already a big hit “Keeping Up with the Kardashians”, originating in 2018. Cameras cover the banter and bonding between the four women from Bollywood’s internal circle as they juggle professions, own family, and friendship.
The first season of the net display on Netflix received mixed reviews but become nonetheless successful with the audiences. The first season also had guest appearances from distinguished names from Bollywood, along with Karan, Shanaya Kapoor, Sanjay Kapoor, Malaika Arora, Arjun Kapoor, Ananya Panday, Janhvi Kapoor, Shah Rukh Khan, Gauri Khan, Sidharth Malhotra, and Sussanne Khan.
Fabulous Lives of Bollywood Wives Season 2 Release Date
The makers of The Fabulous Lives of Bollywood Wives shared a teaser of the upcoming season on Saturday and it does appear fabulous. The video begins with textual content flashing on the display screen that reads: “They are back!” The shoot for 2nd season of the real internet series Fabulous Lives of Bollywood Wives has commenced and a video has been shared online that guarantees a glimpse of the action on units. The release has not been announced yet but it is expected that the series will be on air in the latter part of the year.
Fabulous Lives of Bollywood Wives Plot for Season 2
Season 2 is a top-quality series that ought to take another year given the modern pandemic. While the women’s favorite restaurants and department stores have reopened in Mumbai, venturing out and about in companies is still compromised. But it can be expected that Fabulous Lives of Bollywood Wives season 2 might be a “quarantine special” delving into their lives during the lockdown period. It might be really interesting to know how the story unfolds.
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Fabulous Lives of Bollywood Wives Recap of Season One
The show opens with Maheep Kapoor fretting over daughter Shanaya’s appearance at the prestigious charity fashion event Le Bal des débutantes as a stack of luggage stays parked near the door. And then, the ladies are seen sitting around and counting the other Indians who have been part of the event. The series also alternates between their regular meet-ups, an insane trip to Doha, a fight at the Ministry of Crab, and gossip about an upcoming Gauri and Shah Rukh Khan party being thrown to celebrate their friendship.
The series has dispelled a preconceived notion human beings harbor regarding celebrity’s better halves: they do no longer lurk behind their husbands’ shadows anymore. It observes a group of impeccably attired women as they pass approximately dealing with their households and social lives.
There isn’t any specific plot, but there are copious tears and charged moments as rivalries flare and disparaging feedback are made about the pleasantness of wigs or beauty dermatology. And every now and then, in between, something deeper is captured about the singular universes those ladies inhabit. A clearly precise wealthy-spouse reality display is equal elements tawdry dramatic tension and anthropology.
“Bollywood Wives,” sadly, lacks both the sly self-awareness of the “Real Housewives” franchise and the dramatic ruthlessness. Of the four Wives, 3 are married to former Hindi film stars, and one is a former famous person herself, however, all of those figures’ heydays have surpassed.
It is their children who are now being groomed for film careers, and the Wives want you to know that their priorities are with their households — although true mothering, in this universe, involves making your husband analyze the waltz in order that he can escort your daughter to her “popping out” at a Parisian debutante ball.
The Wives keep indistinct jobs designing jewelry or clothing, but these professions tend to languish in the historical past of an endless series of lunches. But inside the display’s unguarded moments — the Wives slip into the wounded belligerence that comes so without difficulty to the wealthy.
It may be asking us to care about one Wife going through public scoffing at her daughter’s Paris debut, however, the actual gag is her teenage son’s confidence that he, too, will become an actor in Hindi films, notwithstanding having a questionable hold close of the language and talking with a placeless, affected accent.
But the maximum telling accidental revelations to happen as the Wives frenetically put together for a party hosted with the aid of the wife of one among India’s biggest stars, Shah Rukh Khan. His partner, Gauri Khan, isn’t just a Wife; she presides over her own galaxy, orbit with the aid of the lesser Wives, who nervously titter and acquire round her, basking in reflected glory.
Too polite to smirk at their sequined clothing however not well mannered sufficient to let them bypass unmentioned, Khan dryly chuckles about feeling underdressed. Khan’s sly verbal decimations monitor a critical reality about the gated international those human beings inhabit: Their reputation isn’t depending on a Rolls-Royce or a debutante ball.
It is ruled by way of sharply delineated lanes of public stardom, on which the Wives have a little claim of their very own. Therein lies the curse of the wealthy and the invisible. The discomfort of this magnificence is a deep thirst to be witnessed, the same thirst that turns tech billionaires into Twitter obsessives and once-respectable actresses into lifestyle bloggers.
For millionaire spouses hovering outside the universe of public recognition, it suggests offering a smooth conduit to validation: manufacturing a fake bond of relatability via displaying to the public that they, too, need to deal with bratty kids, sad husbands, social betrayals, and the complaint of naysayers.
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